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Seven keys to modern art
Auteur
Éditeur Thames and Hudson
Année copyright 2019
Exemplaires
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Notice détaillée
Auteur
Titre
Seven keys to modern art
Éditeur
Description
1 volume (256 pages) : illustrations ; 22 cm
Notes
Bibliogr. p. 249-252. Index
Variantes de titres
7 keys to modern art
Sujets
Classification Dewey
709.04
Contenu
Introduction ; The Red Studio, Henri Matisse (1869-1954) ; Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) ; Black Square, Kazimir Malevich (1878-1935) ; Fountain, Marcel Duchamp (1887-1968) ; The Empty Mask, Rene Magritte (1898-1967) ; New York Movie, Edward Hopper (1882-1967) ; Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) ; Head VI, Francis Bacon (1909-1992) ; Black on Maroon, Mark Rothko (1903-1970) ; Big Electric Chair, Andy Warhol (1928-1987) ; Infinity Mirror Room ; Phalli's Field, Yayoi Kusama (b. 1929) ; The Pack, Joseph Beuys (1921-1986) ; Spiral Jetty, Robert Smithson (1938-1973) ; Osiris and Isis, Anselm Kiefer (b. 1945) ; Untitled (I shop therefore I am), Barbara Kruger (b. 1945) ; A Book from the Sky, Xu Bing (b. 1955) ; The Messenger, Bill Viola (b. 1951) ; Maman, Louise Bourgeois (1911-2010) ; Correspondence, Lee Ufan (b. 1936) ; Untitled, Doris Salcedo (b. 1958)
Résumé
Résumé éditeur : "In a world where artists place a premium on self-expression and innovation, obtuse intellectualism and outrage for outrage’s sake, this guide aims to decipher the bizarre and often intimidating phenomenon of ‘modern art’. Ranging across the widest variety of media, styles, subjects and intentions, Simon Morley offers seven different lenses through which to interpret twenty works of art, reflecting the impact of globalism and neuroscience. Without recourse to inflexible ‘readings’, he invites the reader to unlock the meanings of some of the world’s most intriguing and contested art."
ISBN
978-0-500-02162-0
Origine de la notice
Abes (SUDOC)
 

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